Susan was born ALLISON ANNE CADOGAN in Kingston, Jamaica to Belizean father the Rev. Claude Cadogan and Jamaican mother, Lola Veronica Cadogan (nee Dujon), a classical soprano. Coming from a musical and religious family, she began singing in the church as a teenager. Anne, as she was called, never had a thought of being a professionall singer but in mid 1974 her first single “Love my life” was recorded at The Black Ark studios in Kingston for producer Jerry Lewis. She was then asked by studio owner Lee ”Scratch” Perry to sing his version of 'Hurt so good' and so began her foray into the world of reggae music. In early April of 1975 “Susan” (renamed by Lee Perry) shot to stardom when the single “Hurt so Good” raced up the BBC Charts in London peaking at #4 with a bullet. Susan was summoned to London and made her first appearance on "Top of the Pops", the famed weekly television chart show. Later that year, her follow-up single “Love me Baby” produced by Peter Waterman for Magnet Records was released and peaked at #21 on the charts. Then followed her now Collector's item LP “Susan Cadogan” produced by Perry and the LP “Doing it her way” produced by Waterman. It is of note that before her British debut, the single "Hurt so Good" was #1 on ZDK Radio in the island of Antigua and Susan visited and did several shows there and in St. Kitts and Nevis. Susan was then produced by OB International (Owen Brown) in Jamaica and the hit singles “Piece of my heart” and “Tracks of my tears” saw her named Female Artiste of the year in 1981. Her duet with Jamaican singer Ruddy Thomas “You know how to make me feel so good” produced by Hawkeye Records (London) was #1 for 8 weeks on the British Reggae Charts and broke into the BBC charts on the Virgin label. She has recorded 10 albums and numerous singles to date including many duets with Ruddy Thomas, Bunny“Rugs” Clarke, Glen Adams and Ken Boothe. Through the years Susan has worked with several international bands and producers some of whom are The Mad Professor (Ariwa Records UK), The Slackers Band (Brooklyn, N.Y.), Creole Records (Bruce White), Crabs Corporation of Argentina for Record Kicks (Italy), Glen Adams (Brooklyn, N.Y.) and most recently Mitch Girio of King Kong Records in Canada. This latest EP “Take me Back”, has been well received and named among the top releases of 2016 in Europe. Susan is constantly recording and her new album "The girl who cried" produced by Mitchell Girio is now on the market released by Grover Records, Germany.
Susan is set to do several shows in Europe and in the UK from June through December 2019 and also April- July 2020 starting with "THIS IS SKA" in Rosslau on June 22nd. 2019. She will also appear on Madness "House of Fun" on December 1st. in Minehead and on December 14th 2019 on "The Christmas Reggae Festival" in Reading, UK.
Many years have passed but Susan still has her expressive, fine soprano voice and a deep love of her art evident in her new music and on her recent shows, where her professionalism, dynamic stage presence and natural aptitude are loved by all. She has been hailed by many as the “Queen of Lover's rock” but her recordings embody all facets of Jamaican music. Susan has appeared all over The UK, Europe, Argentina, Mexico, Hawaii, New York and many other U.S. states and in the Caribbean and continues through 44 eventful years in the industry, to do what she loves and does best....recording and performing some of the greatest soulful reggae music.
SUSAN CADOGAN, hailed by many as having the "sexiest voice in reggae" remains one of Jamaica's finest exports to the International music scene. Her musical journey continues.....
Susan will be appearing in the UK during the months of August to November. A special birthday celebration will take place on November 2nd 2018 at the 2Tone Village in Coventry to celebrate her 67th birthday!
August 12th (Boomtown) August 17th (Stirchley Birmingham) August 25th (Shambala) Sept. 1st (One Love Festival) Sept. 14th - Jazz Cafe (Reading, Berkshire) PA
Sept. 21st - The Coach & Horses (Strrod, Kent) with SKABRETTA Sept. 30th – London Routes River Boat PA Festival Pier
October 5th - The Court Snooker Club (Bretton, Peterborough) with ZEB ROOTZ October 13th - Water Rats (Kings Cross) October 20th - Red Lion Ballroom( Leytonstone) with Friendly Fire
October 21st - Saltbox -FMKemet 11th Anniversary (Nottingham)
October 28th - The Wheeltapper, Rugby
Nov. 2nd - 2Tone Knight's Bar Birthday Party (Coventry) Nov. 9th - The Alley Club (Cambridge) Nov. 11th Specialized - The Big One -Poole
Please see show listing for details
Due to unforseen circumstancs affecting her health, Susan unfortunately had to cancel her June and July scheduled performances in the UK and Germany,
Susan will be retuning to the UK for her show at the great BOOMTOWN FESTIVAL on August 12th 2018 with The Mighty Leap Band and will continue throughout December to deliver her outstanding performances to the reggae loving public.
"I am so sorry I will miss these shows as each is special to me but if I can't be and do my best, I prefer not to do them until I am fine again. I thank everyone for their kind undestanding"
"Don't know why"
The re make of Susan's 1981 track "Dont know why" will soon be on air worldwide and available.
Written by her brother Paul Cadogan, this song has been masterfully rerecorded by Mitch Girio, King Kong Records in Canada. Brendan Bauer plays one of the most mesmerizing bass lines on this track. Brendan Bauer - bass Mitch Girio - guitars, organ, percussion Andrew McMullen - drums, percussion Ronald Poon - upright piano
The track was voiced in Kingston, Jamaica at The Chalice Band House under the direction of Wayne Armond.
The track is now availableo on Bandcamp and ot on 45 rpm vinyl on the Parking Lots label from Japan.
Truth Talkin' (M. Petersen)
1. Truth Talkin' 03:45 2. Dub Talkin' 03:41 3. Alternative Truth Talkin' 03:45 credits released May 8, 2017
Susan Cadogan - Truth Talkin'
Susan Cadogan - lead and main backing vocals "Lucky" Pete Lambert - drums, backing vocals Peter Collins - bridge keys, backing vocals Glen Gummerson - trombones Melanie Peterson - backing vocals Mitch Girio - bass, guitars, Hammond organ, Pianet, piano
Truth Talkin' written by Melanie Peterson
Produced, mixed and mastered by Mitch "King Kong" Girio Recorded at Revolution Recording and The Slowcooker, Toronto, Canada Susan's vocals recorded by Wayne Armond, Kingston, Jamaica
Illustration by Wastoki Based on photo by Mark Cadogan
Special thanks to the musicians who played on the original recording, Pete, Peter, Glen and of course, Melanie Peterson.
Susan Cadogan was born November 2nd 1951 in St. Andrew, Jamaica, the third child of Rev. Claude & Mrs. Lola Cadogan.
Susan spent several years of her childhood in her father’s homeland Belize (then called British Honduras), a quiet and chubby child whose life was touched by music from an early age. Her mother Lola, was a trained soprano who sang at church, official functions and also made a few 78 rpms. Her sister Jean loved music too and between them all, classical, sacred and secular music was always being played and sung in the home and there was also a piano which Susan eventually learnt to play. She loved to rock her baby brother to sleep so she could sing to him the many lullabies passed down by her Mother…she loved music and she loved to sing. After leaving high school and without knowing what she really wanted to do, she started working at the University of the West Indies Library in February 1973 until fate stepped in. This is her story…
In mid-1974, Jamaica Broadcasting Corporation (JBC) DJ, Jerry Lewis, convinced Anne Cadogan, a 22 year old Library Assistant at the University of the West Indies Library, to try and sing a song he had written. From her early teens, Anne used to sing along while listening to The Platters, The Drifters and some of her early favorites but she had never dreamed of singing professionally. Nevertheless, she soon found herself at the Black Ark studio of Lee ‘Scratch” Perry recording the song Love My Life for Jerry Lewis. Perry was impressed and asked her if she would record a song for him too… the song was Hurt So Good. She knew the song well as her love of music kept her abreast of popular hits and she willingly recorded the single along with the trio the (soon to be Mighty) Diamonds doing background vocals.
Her life began to change from that night. Perry dubbed her “Susan” saying it was a “sexier” name and gave her tapes of songs to learn and she began to live for the weekends when, on Sundays, she would go to the Black Ark where she recorded track after track for what was to be her first Long Playing Album. The single Hurt So Good, after first creating a storm in the Eastern Caribbean, broke into the British Chart in early 1975 and Susan was called by the British company Magnet Records for promotional purposes and they whisked her away and installed her in Holiday Inn, Marble Arch in London. After some days, while the single was bubbling she made her first professional appearance as Susan Cadogan on the BBC’s “Top of the Pops” weekly record chart show after which the single soared into the top 30. Susan continued to appear on ‘Top of the Pops’ did extensive European radio and television appearances and received abundant press exposure. So began her foray into the frenetic and exacting world of show-biz.
Susan was eventually signed by Magnet Records, who had the legal rights to Hurt So Good at the time and began working on her second album, Doing It Her Way, with a new producer, Peter Waterman. The follow up single Love Me Baby penned by Waterman & Peter Shelley peaked at #21 on the charts. Hurt So Good eventually peaked at #4 earning a Silver Disc in the United Kingdom, and at #1 in South Africa earning a Gold Disc which Susan never received. She continued doing shows throughout Europe and settled down in London doing nightly Cabaret. She returned home to Jamaica after almost one year.
During this time period, Trojan records regained its rightful ownership of Hurt so Good and released many singles from the work Susan had done for Lee Perry. In 1975 Trojan finally released the Lee Perry produced album “SUSAN CADOGAN”.
After her Magnet contract expired, Susan recorded the singles Piece of my Heart, Tracks Of My Tears, and Don’t Know Why for Jamaican producer Owen ”OB” Brown and was named “Female Artiste of the Year” in 1981 by JBC Radio. Piece of my Heart peaked at #2 on the local charts and Tracks of my tears entered the top 20. Susan appeared on several stage shows working with the Fabulous Five and Sagittarius Bands among others, doing shows at Skateland, Fort Clarence Beach, Little Theater, the then Jonkanoo Lounge, and Shaw Park Hotel. She appeared on some television shows including Alphonso Walker’s “Where it’s at”.
In 1981, fellow artiste Ruddy Thomas introduced her to U.K. based producer Roy “Hawkeye” Forbes-Allen and Susan recorded seven tracks for Hawkeye including three duets with Ruddy Thomas. The single “You Know How to Make Me Feel So Good” topped the London Black Chart for 8 weeks earning them an award for Record of the year and broke into the BBC Chart on the Virgin label. In 1992 Susan signed a contract with Ariwa Records in London and recorded the album Soulful Reggae produced by Mad Professor (Neil Fraser) but the needed boost to her career did not materialize. Susan toured Europe for a while with Mad Professor and his band The Robotics and after a few months returned to her Library position in Jamaica.
In 1998, Susan was lured back into the recording studio by Ruddy Thomas and the album Stealing Love was recorded for Bruce White of British-based Creole Records with Thomas doing production. The album was released in early 1999 (as a combination album with solo Ruddy Thomas tracks included) on the Rhino Label and a re-recording of You Know How to Make Me Feel So Good was released as a single.
In 2003 Susan released a new album “The Rhythm in You”, produced by Upsetter Glen ‘Capo’ Adams, who had worked with Susan during her 1974 Perry recording days. In the summer of 2003 she went on a 34 date European tour with Adams and the New York Ska band “The Slackers”. She received great audience response as the “Queen of Lover’s Rock” and headlined the Lover’s Rock night of the Lee “Scratch” Perry Meltdown Festival in London in June of 2003 receiving a standing ovation from the audience as they danced and sang along to her megahit Hurt So Good.
In 2004 Sincerely Susan - a collection of covers of some of her favourite classic oldies, again produced by Glen Adams, augmented by three tracks from her 1992 Chemistry of Love project was released. The early response from radio and retail was tremendous, and the album entered the New York Reggae Album Chart at the end of February and climbed to the top 5.
In 2007-8, Susan recorded again for British producer Mad Professor of Ariwa Records and the album “Two sides of Susan” was released by JVC Japan in March of 2008 and by ARIWA in September 2008 in London and Europe. A second album was also recorded during this time which is yet to be released by the company although many singles can be found online. Re-recordings of her classics Perry hits “Nice & Easy” and “Fever” were done for this album. During the ensuing years Susan sang on several shows in the USA and UK inbetween staying at her hillside home in Jamaica, writing and sometimes recording.
In 2012 Susan was asked by Argentine Band “The Crabs Corporation” to collaborate on some music with them and Susan co-wrote the track “Day after Day” and wrote “Music is in love” for them through Record Kicks of Italy.
In 2013 Susan collaborated with “Friendly Fire Band” of Birmingham, UK in the production of the track “W(h)ere is the Love”. She wrote the lyrics and recorded the track in Kingston, Jamaica. It was mixed in London and released in May 2013 and a re-mix was also subsequently released. In June 2013, Susan also recorded a duet with Jamaican veteran Ken Boothe. This brilliant track “Love Story” superbly played, produced and arranged by Wayne Armond (lead guitarist of CHALICE band ), has shown why both artistes are still going strong today through decades in the industry.
From October to November 2013 Susan appeared on several shows in the UK including the first ever UK Skamouth Festival in Great Yarmouth and in the following years has performed in Mexico, Argentina, USA and her main turf the UK.
Allison Anne Cadogan, pka SUSAN CADOGAN continues to record and perform today. Her Trojan Album produced by the infamous Lee “Scratch” Perry, has been re-released several times through the years and is considered a Collector’s item in the world of reggae music. The single “Hurt so good” and the many excellent releases through the years, has stamped Susan as one of Jamaica’s finest exports to the international music world.
Her love of music, natural ability and the special tone of her agile soprano are the same today as when she stepped into the Black Ark in 1974 and exploded on the British scene in 1975. Her musical journey continues……
SUSAN CADOGAN…International Queen of Lover’s Rock and singer of some of the finest reggae music out of Kingston, Jamaica.
"TAKE ME BACK"
Newly recorded and released 5 track EP. Tracks played and mixed in Canada. Vocals done in Jamaica at The Chalice Band House, Available online and on hard copy. Contact firstname.lastname@example.org
1 - Crazy (One Night Band, L. Muller, M. Girio) 2 - Take Me Back (M. Girio/ S. Cadogan) 3 - I Don’t Wanna Play Around (M. Girio/ S. Cadogan) 4 - Leaving (M. Girio) 5 - Best Of Me (M. Girio/ S. Cadogan)
Produced by Mitch “King Kong” Girio Recorded and mixed by M. Girio @ Slaughterhouse 754 and the Slow Cooker, Toronto, Canada Susan’s vocals recorded by Wayne Armond (Kingston, Jamaica) Mastered by Richard G. Benoit
Susan Cadogan - vocals “Lucky” Pete Lambert - drums Meher Steinberg - organ (1, 2, 5), piano (3) Ryan Chopik - organ (3) Jammal Tarkington - sax Rodney Teague - trombone Mitch Girio - guitars, bass, percussion, keys, backing vocals
Graphics/ layout by Fraz Milne Cover photo by Tom Fahy
"Dedicated to the memory of my beloved Mother, Lola Cadogan.” My deep thanks to Wayne Armond (Kgn. Jam) and all the great musicians who played on these tracks and especially to Mitch who made it all possible...big love now and always!..Susie
OTHER SINGLES & TRACKS (not on any of the above albums)
Love My Life (Total Sounds Records 1974)
Keep It Coming (Magnet Records 1976)
Piece Of My Heart (OB International Records 1980)
Tracks Of My Tears (OB International Records 1981)
A Woman Called Moses (Ridim Records 1981)
Don’t Know Why (Bromac Records 1982)
You Know How To Make Me Feel So Good (Virgin Records 1982)
Love Me (Hawkeye Records 1982)
‘Cause You Love Me Baby (Hawkeye Records 1983)
Only Heaven Can Wait (Hawkeye Records 1983)
The Hurt Is Good (Ariwa Records 1993)
Take Time With Me (Ariwa Records 1993)
As Tears Go By (Madacy Records 2002)
You Turn Me On (with The Slackers) (Select Cuts 2003)
Since I Found You (with The Slackers)( Select Cuts 2003)
Day after day (with the Crabs Corporation) (Record Kicks 2013)
Love Story (with Ken Boothe) Limited edition 2013
Truth talkin' (Stonyhill Records 2017)
Remembering my Mother Lola Veronica Cadogan
Remembering my beautiful mother …. Lola Veronica Cadogan (nee Dujon)
I have always been so close to my Mother, have lived most of my life at home where she always was…the sweetest, most caring and most perfect housewife and mother to my father and her children and grand and great grandchildren…a homemaker supreme!…that was Mummy! We had our ups and downs and butted heads from time to time but I would always do everything to make sure she had all she ever needed ….
I was the first to notice her little lapses in memory and her change in moods and actions. Mummy’s journey through Dementia and Alzheimer’s began around 2006…her strength and determination saw her through until she just could not cope. I would never wish this illness on anyone. It is so sad to see someone so vibrant and active lying there confused and not knowing where they were or even who they were…it was the most heart wrenching thing I have ever been through…..watching my mother fade away…..through 9 years until she finally gave up on the morning of October 5th, 2015.
I travel so often, up and downing in my unsettled manner and have saved all the letters Mummy used to write to me during these times, keeping me up to date on happenings at home, the good times and bad, and sending me love and blessings and even an occasional bank note or two for my pocket, regretting that it could not be more! She was such a caring Mother …when I almost died from a bad surgery she spent each night by my side in the hospital, sleeping on a chaise lounge just to be with me if I needed anything and when I went home, fed me like a baby , nourishing me back to health....Oh my Mama! what a sweet wonder you were!
Mummy had faded a bit, every time I saw her….when I was there, I would feed her, like she had fed me. Sometimes she would confuse gargling and drinking and when you gave her drink and saw her start to swish it about in her mouth, nothing could strop what was coming…”No Mummy, swallow…swallow!!” I would cry but better hurry and move cause “swoosh” all over she would let it fly!….although I tried to find something to make a joke off, in my usual manner…I would lock myself in the bathroom and cry and lay awake at nights and cry… quiet tears although sometimes they racked my body. I knew I was losing the constant in my life and there was nothing I could do…. It made me angry too and frustrated and helpless and sad. Not knowing when what would happen, whenever the phone rang, just wondering, wondering…. just wondering where did the time go! I remember the morning I found her almost naked on the floor unable to move. She had just gotten worse overnight and it was then we realized she needed professional care. This was such a help that lasted 10 months.
I had been home for three weeks but had to leave to travel to London. I had just gotten her a hospital bed as it was hard moving her and propping her up and she would cry when you had to move her. With the bed we could just wind her up and down and it was higher too making it easier to care for her….I had tried so long to get one and wish I had been able to get it sooner.
I left on October 3rd as I was to travel on the 13th and had to go to Florida and prepare for my trip…The morning of the 5th October, the call you never want to get came…answered my phone only to hear the wailing of my brother…I did not know what to do, I was alone. I did not know where to turn. Did not know what to do….it was like I was someone else and just acting my part, nothing felt real…I could not imagine that the face I had in my mind was not there anymore, the voice, so gentle, so full of manners, full of song, the laugh, the pouting mouth when things were not right, all the singing and favourite little sayings were not to be heard again? Impossible! and I feel like even now, it is not true. When I go home now, I pull the curtains and open her windows every morning and close them at night…put flowers on her dresser. Keep her room dust free and tidy as she would have done….but she is not there and on leaving it… every time a few tears escape...
What is this life? What is this beautiful life that turns so mean and cruel in a minute! Locked in time and space, we feel life goes on forever and ever in the same way, you do not even realize how things are changing until one day it comes like a bucket of ice cubed water over the head….a harsh and cold awakening to the fact that nothing is forever except death itself….death is forever. Hurts so bad to lose the beloveds of your life but mostly so your Mother.
I tried my best to give her a lovely service and the church was filled with the beautiful sound of her own voice entering and leaving the building. I sang/cried/spoke and I really felt and meant every word of this song, I sort of re wrote especially for her….…
Oh my Mama, to me you were so wonderful Oh my Mama, to me you were so good No one could be so gentle and so lovable Oh my Mama, you always understood Gone are the days, when you would take me in your arms And with your songs, could turn my tears to laughter Oh my Mama, so tender, so adorable Deep in my heart, I’ll keep you everyday Deep in my heart, I’ll miss you everyday Oh my Mama, Oh my Mama!!
It has been five months and the hurt is still too raw to feel better. I still cry so very often when I least expect to…. Life goes on and so shall she in my heart, soul and life…she will go on.